Content Paint

Analogue Practitioner

How I Manage What I Learn

Collecting isn't learning. A personal knowledge system — Capture, Curate, Crunch, Contribute — for turning what you read into what you do.

A photo of commonplace entries hung on the wall

It was some time in the mid to late 80s. A café in Bristol, a man sitting alone, and a twelve-year-old with a new notebook writing his first ever note. Thirty years on, that habit became all of this — and now a good part of it goes public.

A piece of scrap paper on a wall

I use a lot of paper. Not out of nostalgia. Not out of rebellion against digital tools. I use paper because it changes how I think.

An old notebook, source: Kalender-märkmik automaatpliiatsiga. - Pärnu Museum, Estonia - CC0.

In a world built for speed, a blank notebook offers something rare: bounded space, physical presence, and attention with a bit of friction. On analogue tools not as nostalgia, but as environments for thinking.

A photo of a lone power cable sign in a field

Images don't argue — they present. A practical essay on why visual thinking is underused at work, and how photographs unlock insights that language alone cannot reach.

A photo of note books on a table

I discovered the Cornell Note-Taking Method over a decade ago and promptly ignored it. It sounded dull and academic. Then I tried it properly. I have not really stopped since.

A photo of people on a Bench in Winchester

For many years I have kept a notebook I call my commonplace book. It is not a diary, not a planner, not a system for getting things done. It is a personal library for thinking — a place where ideas wait until they are needed.

A photo of an old notebook holder device - from märkmikuhoidja - Saaremaa Museum, Estonia - CC0.

Why every productivity system — a bullet journal, a to-do list, a huge platform — is just a container and rules.

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