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Creativity & Climate (Engine)

Creativity and climate — the conditions that allow good work to happen. Articles in this layer explore environment, energy, creative practice, and what leaders do to make good thinking more likely.

An old photo of two people stood on a boat at a jetty

I don't know where my father took this photograph or who the figures are. But it taught me something important about storytelling, memory and the way we make meaning.

A big collective experience of trust

A reflection on Britain's postboxes, Anthony Trollope, and the remarkable act of trusting an invisible system for almost 175 years. And what we might learn about work.

A wall in Winchester with markings

A wall in Winchester bearing initials dating back to 1772 offers a reminder that every organisation is built on decisions made by people who came before us.

A photo of a telescope at Southsea, Portsmouth

The telescope didn't improve the view at all. It just magnified the murk.

Public speaking and the power of the stage

Dame Judi Dench, Louis Theroux and feeling alive on stage. The power of public speaking.

Gratitude — a way of seeing what often remains invisible

A lot of what underpins a business goes unnamed precisely because it often works. An episode of The Word at Work on gratitude as a form of seeing — and the question it leaves behind about what's carrying your work this week that you've stopped noticing.

A collection of different notebooks, for different purposes.

There's no perfect notebook — only the right container, with the right rules, for how long a note needs to live. Here's the method, and the six on my desk.

A photo from - Författarinnan Sara Lidman sitter ute i gräset och skriver, Uppsala 1955 by Uppsala-Bild - Upplands Museum, Sweden - CC BY-NC-ND.

Most organisations say they want to turn ideas into value and rarely manage it. Writers do it for a living. Here's what their craft teaches us about keeping an idea's meaning alive, from seed to shipped work.

The case for a Chief Curation Officer

On a family trip round Europe's museums, a pattern kept surfacing: the best ones curate your attention as carefully as their objects. Here's what that has to teach the places we work — and why the most useful skill might be learning to see the room you're already in.

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